The Orchestra was handled well by conductor Leo Hussain, as was The ENO chorus, with some beautifully expressive Sul G moments on the strings adding intensity. While Edmund Tracey’s translation felt a little clumsy (especially when he rhymed suspected and affected), it is by no means the worst Puccini translation. This was particularly noticeable in Act III, when he realises Scarpia’s trap and his vision of his life with Tosca remains but a dream. Top notes from Adam Smith as Cavaradossi soared throughout the London Coliseum.Įven though the orchestra could be heard to, very successfully, rush for recovery after Smith cut the occasional phrase short, he delivered an exceptional performance. Scarpia’s repulsive manhandling of Tosca was excellently choreographed, with the performances from all three singers reaching their dramatic peak. Together they made for an alarmingly successful duo. Even though Noel Bouley was unfortunately too ill to sing Scarpia, he walked it with unreserved malice, while Roland Wood lent his roaring baritone from the wings. It was a wholly unnecessary addition to what was otherwise a stylistic success.Īct II is easily the best thing about this production. The only real blunder is a red and gold curtain that clumsily makes it onto stage in all three acts. While sometimes incongruous, it pointed to a story filled with strong allegiances and loyalties. The story has it all, and Loy’s vision plays to the opera’s strengths by heightening its political context.Ĭhristian Schmidt’s set is fairly traditional, but his costumes are an eclectic mix of stylised military coats, modern suits, and full Napoleonic bodices. Scarpia’s wanton obsession with Tosca both seals the lovers’ fate and ensures his own rightful comeuppance. On the Pope’s side, the sadistic chief of police Baron Scarpia is the obligatory antagonist. Set over the evening and early morning of the 17th – 18th June 1800, Tosca follows the doomed love of musician Floria Tosca and her lover, painter Mario Cavaradossi, on the evening that Rome, under the control of the Papal States, heard of Napoleon’s immanent invasion. Lover at the same time, should do everything to find a way out of the. Tosca not only includes some of Puccini’s finest arias, but is undoubtedly one of opera’s greatest stories. Catch a Lover - a multiplayer game for 2-4 players in which one plays the role of the husband, who needs to catch wife's lover. The light from the Full Hunter’s Moon would allow them to stay out into the evening hours to finish up their hunting activities.The English National Opera returns for a brand new season – and it does so in style! Last seen at the Finnish National Opera in 2018, Christof Loy’s production of Puccini’s Tosca is the opening gambit of the 2022-2023 offering. So how did the Hunter’s Moon get its name?įor decades, this bright, full moon would provide light for both farmers and hunters to finish their tasks.Īfter farmers finished harvesting their crops, they would take on hunting to gather the food that they needed for the winter months. The Hunter’s Moon takes place after the Harvest Moon, which is generally the full moon closest to the Autumnal Equinox and was found in September this year. Each full moon that occurs in a given year typically consists of different characteristics, all depending on the path that they take across the sky. History - The Full Hunter’s MoonĪ full moon occurs when the moon is positioned opposite the Sun in relation to our view on Earth. The full moon officially crests on Sunday at 3:55 pm CDT, but won’t rise until later that evening in Central North America. As spooky season swings into high gear, the Full Hunter’s Moon is slated to occur this weekend in the South Central Texas sky.
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